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SYNOPSIS:

Milltown, in German „Mühlheim“, a place in Western Montana at the confluence of Blackfoot and Clark Fork River. A place, where timber was processed, initially with water power and then, after the Milltown Dam had been erected, with electric energy. The Clark Fork River comes from Butte, 120 miles south-east of Milltown, once the largest mining city in the US. The dam and the hydropower plant have recently been pulled down, the timber mill has been shut down. In summer, the canoeists add some colour to the industrial wasteland, but anglers won’t show up here. Toxic substances and heavy metals, carried by the river from the mines at Butte and from the copper mill at Anaconda to the former water reservoir, have contaminated the ground. In a move to renaturalise the landscape, the contaminated sludge, an estimated 14 million truck loads, is now to be removed and shipped upstream to a place called
Opportunity, which the mining corporation of Anaconda had had erected once as a model village in the green fields next to the copper mill. The Clark Fork River is the largest „Superfund Site“, the biggest renaturalisation project of the United States.

The area in Montana that is covered by the film has the shape of a lying cross (┼─), with its longitudinal axis in west-easterly direction being formed by the Interstate 90 from Butte via Milltown to Missoula, a garden and University City. The south/northern axis is formed by Highway 93, running from Idaho through the Bitterroot Valley and the Flathead Indian Reservation to the Canadian border and the Glacier National Park. The tracks of the Burlington Northern and Santa Fe Railway Company that cross at the Missoula freight station run parallel to the trunk roads.

While cattle are bred on the pastures in the Bitterroot Valley, they breed buffalos and horses in the Flathead Reservation. There is land speculation in both places. Life in „Big Sky“ Montana is still comparatively tranquil and offers sufficient ‚nature’. This is why more and people from the big cities come here and settle near the Clark Fork River, the Bitterroot River or the Flathead Lake. Californian developers invest in villas, residential estates and golf courses. 85 % of the land in the Flathead Reservation is now owned by whites. Although the tribes still owe the water rights in the hot springs of the same name, the
bathing resort of the Red Indians, once a holy place to them, where the Montana jet set used to meet until the 1970s, has fallen in disrepair and is derelict.
Montana’s social structure, shaped by miners, ranchers, small town citizens and marginalized Red Indians, is changing rapidly.

 
DIRECTOR'S NOTE:
"As a 'child' of the Ruhr District and a citizen of Mülheim/Milltown the question occupies me
what will happen after the industry is gone, how life will develop and what will become of the
acceleration once ignited by technical processes intrinsic to industrialization? Will there be a new approach towards the rhythm of nature? Will it be possible to unite technology and science with a nature based life? The descendants of the so-called 'primitive people', how do they live today and how do they interpret ‚progress’, how do they react to the phenomenon of 'acceleration'?

Since 10 years my films focus on movement at places in a landscape. There are no hierarchies between things, people and places, they receive an equal treatment, their rhythms and gestures are examined. In this respect my films have no protagonists, instead they consist of relations and encounters, prepared and unprepared ones."

MENTOR'S NOTE:

Rainer Komers is a particular filmmaker who tells stories about particular places in a particular way. He lets you experience the rythm of the places and feel the specific flow of the time there. He does not tell you what to think, on the contrary - he lets you participate in the creation of the film. His language is not German, English or Russian, his language is cinema. That is one of the reasons I am very happy to be able to assist him in making his new film.

MIROSLAV JANEK - Filmmaker, Czech Republic

 

PRODUCTION NOTE:

Editor: Bert Schmidt

Camera: Rainer Komers (DoP)
Sound: Michel Klöfkorn
Production: Stefan Kloos / Kloos & Co. Medien GmbH

 

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"Milltown, Montana"

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Information on the filmmaker:

Rainer Komers

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